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Luís Cília

b. 1943

A singer and composer born in Huambo, Angola. He deserted in 1964 and went into exile in Paris, where he sang against the colonial war and composed “Avante Camarada” (Forward, Comrade). He returned on 30 April 1974, with José Mário Branco.

Culture and censorshipsinger and composerauthor of “Avante Camarada”exile in France (1964–1974)
Born
1943, Huambo (Angola)
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Biography

He was born in 1943 in Huambo, Angola, and came to Portugal in 1959. In 1962 he met the poet Daniel Filipe, who encouraged him to set poetry to music.1 In 1964 he deserted and left for Paris, where he recorded Portugal-Angola: Chants de Lutte (Songs of Struggle) and sang at sessions held by emigrant associations, trade unions and parties, and in the shanty towns.1

He composed the soundtrack for the film O Salto (The Leap) and “Avante Camarada” (Forward, Comrade), which the PCP adopted as an anthem;1 it was Luísa Basto who first recorded it, in Moscow.2 In 1967 he was in Cuba, at the Encuentro de la Canción Protesta (Protest Song Meeting) organised by the Casa de las Américas,7 and in May 1968 he sang for students and workers and in occupied factories, alongside Paco Ibáñez and Colette Magny.1 On 10 November 1970 he sang at the Mutualité, in Paris, at the concert “La Chanson de Combat Portugaise”, amid interruptions from the audience.3

He returned on 30 April 1974: RTP filmed him arriving at the airport, alongside José Mário Branco.41 In 1999 he told RTP that he had travelled on a refugee passport.5 In May 1974 he sang at the 1st Free Popular Song Meeting (I Encontro Livre da Canção Popular), in Porto.16 He has devoted himself above all to composing for the theatre, ballet and cinema.1

Notes on the sources1
  • Whether Luís Cília and José Mário Branco came on the same plane as Álvaro Cunhal, on 30 April 1974: the RTP report does not say.

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Sources7
  1. 1Luís Cília — biografia e testemunho (Memórias na Resistência, recolhido em janeiro de 2024). Museu do Aljube Resistência e Liberdade (EGEAC) — consulted on 3 October 2026
  2. 2Mariana Duarte, Entrevista com Luísa Basto: «Os meus pais ouviam-me cantar nas rádios clandestinas e não sabiam que era eu». Fonoteca Municipal do Porto (Câmara Municipal do Porto), 2021 — consulted on 3 October 2026
  3. 3Concerto «La Chanson de Combat Portugaise» (Paris, 10 de novembro de 1970). RTP Arquivos (Antena 1) — consulted on 3 October 2026
  4. 4Regresso de José Mário Branco (Noticiário Nacional, 30 de abril de 1974). RTP Arquivos — consulted on 3 October 2026
  5. 5Luís Cília («Retratos — 25 Nomes, 25 Dias, 25 Anos», 1999). RTP Arquivos — consulted on 3 October 2026
  6. 61.º Encontro Livre da Canção Popular no Porto (Informação Diária, 6 de maio de 1974). RTP Arquivos — consulted on 3 October 2026
  7. 7Matías Hermosilla, «Un sentimiento general del mundo»: El Encuentro de la Canción Protesta, cosmopolitanismo cubano y la música como arma revolucionaria (1967-1970). Autoctonía (Santiago), vol. 7, n.º 2, pp. 832-861, 2023 — consulted on 4 October 2026Em 1967, a Casa de las Américas organizou em Cuba «El Encuentro de la Canción Protesta», com 55 músicos de 18 países, durante treze dias e em quatro cidades; entre os convidados estava «el joven músico angoleño-portugués Luis Cilia», cuja presença acabou confirmada.

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